207 British School (First Quarter 20th Century) "Sunlit Farm Scene with Two Figures", oil on canvas, signed lower right "Jane Peterson", 18" x 24". Presented in a handsome giltwood and gesso Beaux Arts frame.
Estimate: 200 - 400
208 British School (Third Quarter 19th Century) "Oval Portrait of a Farmer", oil on panel, unsigned, 12" x 9-1/2". Unframed.
Estimate: 75 - 125
209 George Crisp (British, Fourth Quarter 19th Century/First Quarter 20th Century) "Fruit Still Life", oil on canvas, signed and dated lower left "G. Crisp 1909", 8" x 10". Presented in a giltwood and gesso frame.
Estimate: 300 - 500
210 Edward Holroyd Pearce (British, 1901-1990) "Cattle Grazing by the River", oil on academy board, signed lower right, 12" x 18". Presented in a molded stained hardwood frame.
Estimate: 100 - 200
211 Edward Holroyd Pearce (British, 1901-1990) "Country Cottage by the Sea", oil on academy board, signed lower left, 12" x 8". Presented in a stained molded hardwood frame.
Estimate: 100 - 200
212 Attributed to Bernard Fleetwood Walker (English, 1892-1965) "The Dog and the Owl", a tall, oblong, black crayon heightened with china white decorative study, sight 14-3/4" x 12"; and a smaller graphite and china-white study for a singerie over-door panel in the 18th-century style, sight 6-3/4" x 12", both signed lower right "Walker". Matted and presented in narrow giltwood frames and glazed.
Estimate: 200 - 400
385 Frederick Bromley (British, First Half 19th Century) "The Bury Hunt", color engraving, after C. Agar and J. Maiden, with dedication by Joseph Lanetti, sight 22" x 28-3/4". Glazed, attractively triple-matted and presented in a molded giltwood frame.
Estimate: 300 - 500
386 British School (19th Century) "Messrs Round & Green's Bank, Colchester", photo lithograph by James Akerman, "The Admiralty Near White Hall and The Treasury in St. James Park" and "A Perspective View of the Bank of England", both color engravings, the largest 15-3/4" x 11". All glazed, attractively matted and presented in mahogany-stained hardwood frames.
Estimate: 100 - 200
387 After Henry Shayer (British, 1825-1894) and Charles Waller Shayer (British, 1826-1914) "The Meet", offset chromolithograph, limited edition, first printing, printed exclusively for The Ritz-Carlton Hotel Company and so noted lower right margins, sight 15-5/8" x 25-3/8". Glazed, attractively French matted and presented in a stained hardwood frame.
Estimate: 75 - 125
389 Albany E. Howarth (British, 1872-1936) "Interior of the York Minster Cathedral", black and white etching, signed in pencil lower right, sight 34" x 19-1/2". Glazed, matted and framed.
Estimate: 200 - 400
390 After Thomas Gainsborough (British, 1785-1786) "Sophia Charlotte, Lady Sheffield", oil on canvas, signed illegibly lower right, second quarter 20th century, 24" x 36". Presented in a Louis XVI-style giltwood and gesso frame.
Estimate: 150 - 300
391 After Hans Jacob Hansen, RSW (Active Scotland, 1853-1947) "Tambourine Dance", print, entitled "Copyright. Published by the British Art Company, Ltd., 93 New Bond St., London, W. I", sight 9-3/4" x 7-3/4". Handsomely matted and framed.
Estimate: 40 - 70
425 V. Brinell (English, 20th Century) "Victorian Bust", a double-patinated bronze bust of a smiling Beauty in a large flower-ornamented picture hat, third quarter 20th century, presented on a polished Petit Antique marble base centered with an engraved brass title and signature plaque, h. 11-3/4", w. 6", d. 5".
Estimate: 200 - 400
1166 J. Gould and H. C. Richter (British, 19th Century) "Malurus Hypoleucus", hand-colored lithograph, legend lower margin, sight 18-1/4" x 12-1/4". Glazed and framed.
Estimate: 125 - 250
1169 After J. Gould and H. Richter (British, 19th Century) "Erythoronata Sophiae" and "Thaumatias Nitidifrons", pair of offset chromolithographs, sight 17-1/2" x 11-1/2". Both glazed, French matted and presented in molded giltwood frames.
Estimate: 75 - 125
1299 Michael Coote (British, b. 1931) "Allegro-Elgar", oil pastel on paper, monogrammed lower right, verso affixed with "The Federation of British Artists 1989 Pastel Society Exhibition" label, sight 17" x 23-1/2". Glazed, double-matted and framed.
Estimate: 100 - 200
      
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