49 Continental School (Second Quarter 20th Century) "Snowy Winter Street Scene", oil on canvas, signed lower right "D. Teniers", 30" x 40". Presented in a molded giltwood and gesso frame.
Estimate: 300 - 500
50 Follower of Berthe Morrisot (French, 1841-1895) "A Walk Among the Poppies", oil on canvas, fourth quarter 20th century, 16-1/4" x 20-1/2". Presented in a giltwood and plaster frame in the Regence style.
Estimate: 150 - 300
51 Manner of Edouard-Leon Cortes (French, 1882-1969) "Parisian Street Scene at Dusk", oil on panel, unsigned, 21st century, 11-1/2" x 16". Presented in a Beaux Arts-style giltwood and gesso frame.
Estimate: 200 - 400
52 Filippo Indoni (Italian, ca. 1842-1908) "Peasant Couple Resting by a Fence", watercolor on paper, signed lower right "F Indoni", sight 21" x 14-1/2". Glazed and presented in a giltwood and plaster frame.
Estimate: 600 - 900
53 Giuseppe Carosi (Italian, 1883-1965) "Winter Stroll" oil on board, signed lower right, 20" x 27". Presented in a rococo-style gilt-painted frame.
Estimate: 1000 - 1500
54 Giuseppe Carosi (Italian, 1883-1965) "Silent Pool", oil on board, signed lower right, 20" x 27". Presented in a rococo-style gilt-painted frame.
Estimate: 1000 - 2000
55 Manner of Giovanni Canale, Canaletto (Venetian, 1697-1768) " The Grand Canal From Campo S. Vio", oil on panel, unsigned, 21st century, 12" x 15-1/2". Presented in a rococo-style giltwood and gesso frame.
Estimate: 200 - 400
56 Manner of Giovanni Canale, Canaletto (Venetian, 1697-1768) "The Grand Canal from the Rialto Bridge", oil on canvas, unsigned, 21st century, 12" x 24". Presented in a Beaux Arts-style giltwood and gesso frame.
Estimate: 300 - 500
57 Manner of Giovanni Canale, Canaletto (Venetian, 1697-1768) "Venetian Canal Scene", oil on panel, unsigned, 21st century, 12" x 15-1/2". Presented in a rococo-style giltwood and gesso frame.
Estimate: 200 - 400
58 Continental School (First Quarter 20th Century) "Village Canal Scene with Women on a Boat Doing Laundry", watercolor, signed lower right "W. Menkman", sight 12-1/4" x 18-1/4". Glazed, matted and framed.
Estimate: 150 - 300
59 Jean Remy (French, ca. 1893) "Parisian Street Scene", oil on canvas, signed lower left "Jean Remy", 20" x 24". Unframed.
Estimate: 400 - 700
60 Italian School (Third Quarter 20th Century) "Seaside Village", oil on canvas, signed lower right "Rastello", 16" x 10". Presented in a handsome carved, stone-pickled, ebonized and parcel-gilt wooden exhibition frame.
Estimate: 150 - 300
61 Pair of Shadowboxed Continental Landscape Miniatures, first quarter 19th century, featuring, respectively, a tropical riverside scene with a water-bearer and other figures, and a galants woodland scene with a wood gatherer and a dog, presented in later antique mahogany and giltwood shadowbox frames with double gilt card mats, overall h. 6", w. 6-3/4".
Estimate: 60 - 90
70 After Antoine-Louis Barye (French, 1795-1875) "The Arab Warrior", a large triple-patinated bronze equestrian figure after the ca. 1867 model, presented on an elliptical travertine-inlaid verde antico marble base with an engraved brass title plaque at the center of the facade, h. 30", w. 23", d. 12".
Estimate: 1500 - 2500
81 After Louis Moreau (French 1883-ca. 1967), a patinated bronze figure of a standing winged putto playing the cymbals, signed on the plinth "L. F. Moreau" and on a tablet placed in the foliage at the reverse "France", presented on a gently stepped circular base of polished black slate, h. 10-1/2", w. 4", d. 3-1/4".
Estimate: 150 - 300
97 After Jacques Louis David (French, 1748-1825) "Napoleon Crossing the Alps", oil on canvas, signed illegibly lower right, 20th century, 73" x 48". Presented in a Louis XV-style giltwood and gesso frame.
Estimate: 400 - 700
99 Franco-German School (First Quarter 20th Century) "A Courtship", painted needlepoint, unsigned, 46" x 27". Presented in an Arts and Crafts-style hardwood frame.
Estimate: 200 - 400
100 Manner of Francois Boucher (French, 1703-1770) "Putti Playing Musical Instruments", giclee print, signed "Mlatty" lower right, sight 9" x 12". Glazed, double-matted and presented in a Louis XV-style giltwood and plaster frame.
Estimate: 150 - 300
101 Patinated Bronze Figure of "Maiden with Cupids", in the Belle Epoque style, presented on a circular polished slate base, h. 23", dia. 8-1/2".
Estimate: 700 - 1000
102 French 18th-Century School, "Chateau de Saint-Germain" and "Palais de Fontainbleau", pair of 20th-century facsimile prints, after the Antique engravings, sight 12" x 16-1/2". Both glazed, matted and presented in giltwood and plaster frames.
Estimate: 75 - 125
103 After Francois Boucher (French, 1703-1770) "Le Depart du Courier" and "L'Arrivee du Courier", pair of hand-colored engravings, dedicated to Madame Marquise Montesquiou, engraved by Baumarlet, sight 25" x 19". Both glazed and presented in molded giltwood frames.
Estimate: 300 - 500
104 Italian School (Fourth Quarter 19th Century) "Foca A Probacide" and "Armadillo Comune", pair of hand-colored lithographs, legends lower margins, sight 8" x 11". Both glazed, matted and presented in giltwood and gesso frames.
Estimate: 75 - 125
105 After Claudio Gay (French, 1800-1873) "Various Fish Illustrations", suite of three chromolithographs, sight 10-3/8" x 13". All glazed, French-matted and presented in giltwood frames.
Estimate: 150 - 300
106 Jean Daulle (French, 1703-1763) "Monsieur De Nestier Ecuyer Ordinaire de la grande Ecurie du Roy", hand-colored engraving, 1753, sight 22" x 15-1/2". Glazed, matted and presented in a molded and parcel-gilt frame.
Estimate: 200 - 400
107 French School (19th Century) "Various Seed Fruit", suite of four chromolithographs, sight 7-5/8" x 5-3/4". All glazed, attractively French matted and presented in molded giltwood frames.
Estimate: 150 - 300
108 French School (18th Century) "Le Brilliant" and "L' Italien", pair of color engravings, sight 7-1/2" x 10". Both glazed, matted and presented in parcel-gilt and veneered frames.
Estimate: 75 - 125
109 After Francois Nicolas Martinet (French, 1725-1804) "Merle a Collier" and "Troupiale", pair of hand-colored engravings, plates 184 and 272, from Buffon's Histoire Naturelle des Oiseaux, published 1770-1786, sight 9-1/2" x 7-1/2". Glazed, handsomely matted and framed en suite.
Estimate: 75 - 125
110 Continental School (Fourth Quarter 19th Century) "Gypsy Holding a Tambourine", oil on canvas, indistinctly signed lower right "H. Pyfeld ?", 16" x 24". Handsomely framed.
Estimate: 200 - 400
267 Italian School (Fourth Quarter 20th Century) "St. Michael Slaying the Dragon", a patinated bronze sculpture on a polished slate base, signed "Barye", h. 20", w. 6-1/4", d. 6-1/4".
Estimate: 700 - 1000
268 Follower of Guillaume Geefs (Belgian, 1805-1883), a patinated bronze figure of "Lucifer", presented on a polished slate base, h. 14", w. 6", d. 6".
Estimate: 600 - 900
275 Large Belle Epoque Patinated Bronze Figure Group, featuring a pair of scantily draped winged putti presenting a large vase in the form of a flower-bedecked heart, presented on an oblong slab base of polished Grand Antique marble having chamfered corners, h. 15-1/2", w. 22", d. 9-1/2".
Estimate: 200 - 400
356 After Augustin Moreau (French, 1822-1912), a bronze-patinated spelter figure of "Eros Armed", fourth quarter 19th century, signed at the proper right rear edge "Aug. Moreau", in script, presented on a stepped polished black slate base, h. 16".
Estimate: 100 - 200
388 Francesco Bartolozzi (Italian, 1727-1815) "View of the Inside of the Royal Exchange in London with Honorable William Pitt, First Lord Commissioner of the Treasury, Principal Secretary of State and Chancellor of the Exchequer", after J. Chapman and Lutherburgh, color engraving, sight 18" x 23". Glazed, attractively double-matted and presented in a reeded giltwood frame.
Estimate: 400 - 700
423 Pierre-Jules Mene (French, 1810-1879), a russet-patinated bronze figure of a lowing stag, signed at the proper left rear side "P. J. Mene", presented on an elliptical satin-polished verde antico marble base, figure h. 8", w. 6", l. 10".
Estimate: 150 - 300
424 After Hippolyte Francois Moreau (French, 1832-1927), a double-patinated bronze figure of a seated female lutenist, signed lower left "Hip. Moreau", presented on an elliptical polished verde antico marble base, h. 13", w. 8-3/4", d. 5-1/2".
Estimate: 150 - 300
550 Continental School (Second Quarter 20th Century) "View of a Port", oil on canvas, signed lower right "Fan Ries", 23-1/2" x 36". Presented in a contemporary parcel-silvered and ebonized frame.
Estimate: 125 - 250
551 Continental School (Second Quarter 20th Century) "Abstract Untitled", oil on canvas, signed lower right "Fan Ries", 29-1/2" x 14-1/2". Presented in a contemporary parcel-silvered shadowbox frame.
Estimate: 125 - 250
552 Arnold Pedersen (Danish, 20th Century) "Funen's Head", oil on panel, titled and signed lower right "Fyens Hoved, Arnold", 10-3/4" x 16-1/2". Presented in a molded giltwood frame.
Estimate: 200 - 400
553 Dutch School (Second Quarter 20th Century) "Winter Canal Scene", oil on canvas, signed illegibly lower left, 12" x 16". Presented in a giltwood and gesso frame.
Estimate: 100 - 200
554 Julie Delance-Feurgard (French, 1859-1892) "Les Femmes du Paysage", oil on canvas, signed lower right, 19-1/2" x 15-1/2". Presented in a molded gilt-painted frame.
Estimate: 2000 - 4000
555 French School (Second Quarter 20th Century) "Paris, Pont Louis XIV", oil on canvas, signed illegibly lower left, 24" x 18". Presented in a deeply molded giltwood and gesso frame.
Estimate: 150 - 300
556 Russian School (Mid-20th Century) "Green Landscape with Barren Trees", oil on canvas, signed and dated lower left "Peter "51", 21-1/4" x 17-1/2". Presented in a molded giltwood frame.
Estimate: 100 - 200
744 After Henri Toulouse-Lautrec (French, 1864-1901) "Achetez Les Belles Violettes, Berceuse, Ce Que Dit La Pluie, Eros Vanne, Floreal, Le Secret, Les Vieux Messieurs", suite of eight 1952 offset lithographs of the song sheets, sight 10" x 8". All attractively glazed, matted and framed.
Estimate: 800 - 1200
745 After Pablo Picasso (Spanish, 1881-1973) "Maternite", etching and color aquatint, engraved by Jacques Villon, 1930, full margins, bearing an inventory number in pencil lower right, pencil title and name of artist, sheet size 35-1/2" x 24-1/2". Glazed, matted and framed.
Estimate: 6000 - 9000
746 Walter Battiss (South African, 1906-1982) Fragments of Africa, published by Red Fawn Press, Pretoria, RSA, 1951, autographed edition 65/250, includes nineteen lithographs, eighteen of which are titled and with cut-out covers, preface by Herman J. Hahndick and introduction signed with the initials "W.B.", back page flap, and front page flap printed with the folio title, artist's and publisher's name, 18" x 12". The whole within a paper-wrapped card cover.
Estimate: 2200 - 4000
747 Leonor Fini (Argentinian, 1908-1996; Active Italy and France) "Untitled", color etching, signed in pencil lower right, numbered in pencil lower left "270/275", 17" x 14-1/4". Unframed
Estimate: 400 - 700
748 Aristide Maillol (French, 1861-1944) "Study of a Nude", lithograph, initialed lower left "M", 17-1/2" x 12". Unmatted and unframed. Provenance: The Columbus Museum, Columbus, Georgia.
Estimate: 150 - 80
809 Follower of Bartolome Esteban Murillo (Spanish, 1617-1682) Virgin and Child with Angels and St. Joseph", oil on needlepoint fabric, unsigned, first quarter 20th century, 68" x 48-1/4". Presented in a Louis XVI-style giltwood and gesso frame.
Estimate: 3000 - 5000
811 After Michelangelo Buonarroti (Italian, 1475-1564) "Madonna and Child", facsimile print, sight 12-3/4" x 9-1/4". Glazed, matted and presented in a blond wood frame.
Estimate: 40 - 70
921 Erich Mayer (African, 1876-1960) "African Village with Figures", watercolor on paper, signed and dated lower right "Erich Mayer '50", sight 5" x 7-1/2". Glazed, matted and framed.
Estimate: 250 - 400
      
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