392 Truda Panet (American, 20th Century) "Geordie", pastel on paper, signed and dated lower left "T. Panet, 1969", titled lower right, sight 14" x 12". Glazed, French-matted and presented in a molded giltwood frame.
Estimate: 100 - 200
915 Lucien Whiting Powell (American, 1846-1930) "Canal of Venice", oil on canvas, signed lower right, 24" x 36". Presented in a parcel-gilt and polychromed frame affixed with a brass plaque, etched with the painting title and artist's name.
Estimate: 1500 - 2500
916 American School (Third Quarter 20th Century) "Impressionistic Coastal Landscape with a Docked Boat", oil on canvas, signed lower right "E. Ray Thomas", 30" x 40". Presented in a rococo-style giltwood and gesso frame with linen liner.
Estimate: 300 - 500
917 Ethel Hale Freeman (American, 1882-1917) "Mount Moran, Grand Teton National Park", oil on board, monogrammed in pencil lower left, titled, dated "July 19, 29", and signed verso, 8" x 12". Presented in a molded giltwood frame.
Estimate: 75 - 125
918 Attributed to Rudolph Guzzardi (American/Texas, 1903-1962) "West Texas Landscape", oil on board, inscribed verso in ink "Painted by Rudolph Guzzardi in West Texas, Josephine Guzzardi", 12" x 5-1/2". Presented in a molded giltwood and gesso frame.
Estimate: 600 - 900
919 American/California Plein Air School (Third Quarter 20th Century) "Southern California Landscape", oil on panel, unsigned, 8" x 10". Presented in a molded giltwood frame.
Estimate: 75 - 125
920 Margaret Rice (American, b. 1901) "Yellow Bouquet in a Jug", oil on canvas, signed lower right "M. Rice", 36" x 24". Presented in a giltwood and painted frame with a linen liner.
Estimate: 300 - 500
922 Edith Gerry (American, 1907-1988) "Caribbean Reverie", oil on academy board, signed lower right, 15-1/2" x 20-1/2". Presented in a carved antiqued silvered frame.
Estimate: 150 - 300
965 American School (Fourth Quarter 19th Century) "Civil War Scenes", from Frank Leslie's Illustrated History of the Civil War (New York City, 1890), suite of three black and white engravings by various artists, sight 10-1/2" x 15-1/2" and 12" x 9". All glazed, matted and presented in rustic hardwood frames en suite.
Estimate: 150 - 300
1042 David Sinclair Nixon (American/Louisiana, 1904-1967) "The Bathers", ca. 1945, oil on board, 24" x 18-1/4", inscribed on board verso "The Bathers/5 Figures at an Oasis/1904-David Nixon-1967/c. 1945/From the Estate". Presented in a rustic wooden frame.
Estimate: 100 - 200
1142 Edward Chope (American, Contemporary) "Survival III", a dramatic limited edition patinated bronze sculpture depicting a pair of bald eagles in flight, quarreling over a captured trout, number 50 of an edition of 150, signed on the bronze base "Chope, 50/150", h. 51", w. 31", d. 32". Presented on an elliptical stepped verde antico marble base.
Estimate: 6000 - 9000
1158 Two Arkansas Game and Fish Commission Stamps with Limited Edition Chromolithographs, consisting of "Metro Mallards" by Lee LeBlanc and "Black River Green Winged Teal" by David Maass, both signed lower right and numbered lower left, sight 7-1/2" x 9-1/2". Both glazed, attractively matted and framed.
Estimate: 150 - 300
1159 Suite of Three Wildlife Federation Stamps and Limited Edition Chromolithographs, "1983 Wild Turkey" for Louisiana Wild Turkey Federation by Richard Plasschaert, "1982 Wild Turkey" for Louisiana Wild Turkey Federation by Richard Sloan, and "Mississippi Wild Turkey" for Mississippi Wildlife Federation by Bob Tompkins, signed lower right and numbered lower left, sight h. 8", w. 9-3/4". Each glazed, attractively matted and framed.
Estimate: 200 - 400
1160 Frederic Whitaker (American, 1890-1980) "Parrot on a Branch", artist's proof chromolithograph, signed in pencil lower right, sight 25" x 23-1/2". Glazed, double-matted and presented in a giltwood and gesso frame.
Estimate: 150 - 300
1161 After David Maass (American, b. 1929) "Bobwhite Quail", offset lithograph, and "$5, 1982 Quail Research Stamp", lithograph, signed in pencil lower right and numbered in pencil lower left "1254/3900", sight 7-1/2" x 10". Glazed, matted and presented together in a contemporary brass frame.
Estimate: 75 - 125
1162 After John James Audubon (American, 1785-1851) "Cock of the Plains", offset chromolithograph from the Amsterdam edition of Birds of America, 1971, sight 25" x 37". Glazed and attractively matted and framed.
Estimate: 400 - 700
1163 After John James Audubon (American, 1785-1851) "Louisiana Hawk", offset chromolithograph, 20th century, sight 31-1/2" x 21-1/2". Glazed, attractively matted and presented in a molded giltwood frame.
Estimate: 300 - 500
1164 After John James Audubon (American, 1785-1851) "Red-Tailed Hawk", offset chromolithograph, 20th century, sight 36-1/2" x 25-1/2". Glazed, attractively matted and presented in a molded giltwood frame.
Estimate: 300 - 500
1165 After John James Audubon (American, 1785-1851) "Wild Turkey", offset chromolithograph, 20th century, sight 25-3/8" x 37-1/8". Glazed, attractively matted and presented in a molded giltwood frame.
Estimate: 400 - 700
1167 After John James Audubon (American, 1785-1851) "American Golden Ploven", "American Ring Ploven", "Red-Breasted Sandpiper" and "Wilson Phalarophe", suite of four hand-colored lithographs from the Octavo edition of The Birds of America, sight 5-3/4" x 9-3/4". All glazed, double-matted and framed.
Estimate: 150 - 300
1168 After John James Audubon (American, 1785-1851) "White-Bellied Swallow", "Long Eared Owl", "Blue-Mountain Warbler" and "Cliff Swallow (Nests)", suite of four chromolithographs from the Octavo edition of The Birds of America, sight 6" x 9-3/4". All glazed, double-matted and framed.
Estimate: 150 - 300
1205 After Frederic Sackrider Remington (American, 1861-1909) "The Rattlesnake", a large dark-patinated bronze group, signed at the rear proper left basal edge "Copyright by/Frederic Remington", presented on an ovoid polished verde antico marble slab base centered with an engraved brass title plaque, h. 23", w. 16", d. 10".
Estimate: 300 - 500
1206 After Frederic Sackrider Remington (American, 1861-1909), an interesting trio of miniature patinated bronze sculptures of "The Bronco Buster", "The Old Trapper" and "The Indian Sentinel", all on oblong verde antico marble bases, "The Bronco Buster" signed "Remington" on the oblong base, the largest h. 6-1/2".
Estimate: 100 - 200
1251 Peter P. Briant (American/New Orleans, Contemporary) "Cartier Building, 651 Fifth Avenue, New York", watercolor on Arches/France paper, sight 21" x 14-1/2", signed lower left "Briant". Double matted and presented in a black metal frame.
Estimate: 200 - 400
1255 Rubye Stovall (American, b. 1961) "Pride of Dixie", oil on canvas, signed and dated "1999" lower right, 15-1/2" x 20". Presented in a giltwood and plaster frame.
Estimate: 150 - 300
1273 Tom and Bob Bennett (American, 20th Century) "Dancer Sculpture", polished bronze, presented on a polished Grand Antique marble base of disc form, h. 15-1/2", dia. 5".
Estimate: 1000 - 1500
1294 Antonio Carreno (American, b. Dominican Republic 1963) "Paseo al Tiempo", mixed media on canvas, signed, dated "1996" and titled verso, 40" x 55-1/2". Provenance: Purchased by the consignor from Stella Jones Gallery, New Orleans, Louisiana.
Estimate: 1500 - 2500
1295 Rockne Krebs (American, b. 1938) "A Cherry for Mr. Jefferson", limited edition artist's proof, signed and dated lower right "Rockne Krebs '91", numbered "15/20" and titled lower left, sheet size 22" x 29". Glazed, matted and framed.
Estimate: 200 - 400
1297 Moses Soyer (American/New York, 1899-1974) "Seated Woman and Reclining Nude", ink and wash on paper, signed in pencil lower right "Moses", sight 12" x 16". Glazed, double-matted and presented in a molded giltwood frame.
Estimate: 300 - 500
1298 Ron Thompson (American, 20th Century) "Forma", acrylic and collage on masonite, verso affixed with two labels, inscribed with artist's name and title, 48" x 48". Ron Thompson was included in the French publication "La Revue Moderne des arts et de la vie" 1965, and has won, among many others, an Atwater Kent Award in the 28th Annual Exhibition of Contemporary American Paintings in 1966, and has exhibited in numerous New York and Florida galleries.
Estimate: 200 - 400
1300 Terrell James (American/Texas, b. 1955) "Abstract Composition", mixed media with papier-mache, from the "Yucatan" series, pencil signed lower right "Terrell James", sheet size 22" x 30". Glazed and framed.
Estimate: 300 - 500
1301 Maria Von Trapp (American, b. Austria, 20th Century) "Stormy Sea Lapping the Shore", "Natural Bridge" and "Rocks Mirrored in Lake", suite of three watercolors on paper, one signed, all titled verso, the largest sight 5-1/2" x 6-1/2". Glazed, matted and presented in a single contemporary brass frame.
Estimate: 200 - 400
1302 Maria Von Trapp (American, b. Austria, 20th Century) "Seabed", "Fairytale Castle", "Symphony of Colors" and "Amazing Winters", suite of four watercolors on paper, all signed and titled verso, the largest 5-3/4" x 6-3/4". All glazed, matted and presented in brass frames.
Estimate: 300 - 500
1303 Maria Von Trapp (American, b. Austria, 20th Century) "Park Pond", "Underneath Beauty", "Coral Flowers", "First Snow" and "Water Cascades in Winter", suite of five watercolors on paper, all signed, all titled verso, the largest sight 6-3/4" x 5-3/4". All glazed, matted and presented in contemporary metal frames.
Estimate: 400 - 700
1304 Maria Von Trapp (American, b. Austria, 20th Century) "Winter in the Painted Dessert", "Ice in the North Pole" and "Landscape", suite of three watercolors on paper, all signed, titled verso, sight 8" x 10-3/8". All glazed, matted and presented in contemporary metal frames.
Estimate: 200 - 400
1305 Jorge Dumas (Uruguayan, 1928-1985) "Mandolina" and "Flauta", pair of color etchings, both signed in pencil lower right, pencil titled lower center, numbered lower left, 14" x 10". All glazed, matted and presented in a hardwood frame.
Estimate: 100 - 200
1306 Jorge Dumas (Uruguayan, 1928-1985) "Esperando", color etching, signed in pencil lower right, pencil titled lower center and numbered lower left "71/125", sight 4-3/4" x 5-3/4". Glazed, attractively matted and presented in a hardwood frame.
Estimate: 75 - 125
1307 Lee Reynolds (American/California, b. 1936) "Spring Flower Garden", oil on canvas, signed lower left "Lee Reynolds", 47" x 58-1/2". Presented in a contemporary brass frame.
Estimate: 200 - 400
1364 Follower of Albert Bierstadt (American, 1830-1902) "Western Landscape", oil on canvas, signed lower left "E. Ponthier", fourth quarter 20th century, 36" x 48". Presented in a Beaux Arts-style giltwood and gesso frame.
Estimate: 500 - 800
1365 Hudson River School (Second Quarter 19th Century) "Mountainous River Landscape with a Native American Camp", oil on canvas, unsigned, 22" x 36". Unframed.
Estimate: 75 - 125
1366 Stanley L. Wood (American/British, 1866-1928) "Chased by Gunman", oil on panel, signed lower left, 13" x 11". Presented in a pierced and molded giltwood and gesso frame.
Estimate: 500 - 800
1367 After Norman Rockwell (American, 1894-1978) "November 4, 1939 Saturday Evening Post, Sheriff & Prisoner", offset chromolithograph, sight 23-1/2" x 18-1/4". Glazed, matted and framed.
Estimate: 200 - 400
1368 Manner of Mid-19th-Century American Folk Art, "Boy in a Blue Dress with a Pull Toy and a Cat", oil on canvas, signed and dated lower right "M. Terrell '89", 40" x 30". Presented in a carved giltwood frame.
Estimate: 400 - 700
1369 Hector Moncayo (Mexican/Ecuador, 1895-1984) "Campfire Scene in the Andes Mountains", oil on board, signed lower right "H. Moncayo", verso affixed with a "Farish Art Store, Inc." label, 17" x 21-3/4". Framed.
Estimate: 300 - 500
      
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