49 Continental School (Second Quarter 20th Century) "Snowy Winter Street Scene", oil on canvas, signed lower right "D. Teniers", 30" x 40". Presented in a molded giltwood and gesso frame.
Estimate: 300 - 500
50 Follower of Berthe Morrisot (French, 1841-1895) "A Walk Among the Poppies", oil on canvas, fourth quarter 20th century, 16-1/4" x 20-1/2". Presented in a giltwood and plaster frame in the Regence style.
Estimate: 150 - 300
51 Manner of Edouard-Leon Cortes (French, 1882-1969) "Parisian Street Scene at Dusk", oil on panel, unsigned, 21st century, 11-1/2" x 16". Presented in a Beaux Arts-style giltwood and gesso frame.
Estimate: 200 - 400
52 Filippo Indoni (Italian, ca. 1842-1908) "Peasant Couple Resting by a Fence", watercolor on paper, signed lower right "F Indoni", sight 21" x 14-1/2". Glazed and presented in a giltwood and plaster frame.
Estimate: 600 - 900
53 Giuseppe Carosi (Italian, 1883-1965) "Winter Stroll" oil on board, signed lower right, 20" x 27". Presented in a rococo-style gilt-painted frame.
Estimate: 1000 - 1500
54 Giuseppe Carosi (Italian, 1883-1965) "Silent Pool", oil on board, signed lower right, 20" x 27". Presented in a rococo-style gilt-painted frame.
Estimate: 1000 - 2000
55 Manner of Giovanni Canale, Canaletto (Venetian, 1697-1768) " The Grand Canal From Campo S. Vio", oil on panel, unsigned, 21st century, 12" x 15-1/2". Presented in a rococo-style giltwood and gesso frame.
Estimate: 200 - 400
56 Manner of Giovanni Canale, Canaletto (Venetian, 1697-1768) "The Grand Canal from the Rialto Bridge", oil on canvas, unsigned, 21st century, 12" x 24". Presented in a Beaux Arts-style giltwood and gesso frame.
Estimate: 300 - 500
57 Manner of Giovanni Canale, Canaletto (Venetian, 1697-1768) "Venetian Canal Scene", oil on panel, unsigned, 21st century, 12" x 15-1/2". Presented in a rococo-style giltwood and gesso frame.
Estimate: 200 - 400
58 Continental School (First Quarter 20th Century) "Village Canal Scene with Women on a Boat Doing Laundry", watercolor, signed lower right "W. Menkman", sight 12-1/4" x 18-1/4". Glazed, matted and framed.
Estimate: 150 - 300
59 Jean Remy (French, ca. 1893) "Parisian Street Scene", oil on canvas, signed lower left "Jean Remy", 20" x 24". Unframed.
Estimate: 400 - 700
60 Italian School (Third Quarter 20th Century) "Seaside Village", oil on canvas, signed lower right "Rastello", 16" x 10". Presented in a handsome carved, stone-pickled, ebonized and parcel-gilt wooden exhibition frame.
Estimate: 150 - 300
61 Pair of Shadowboxed Continental Landscape Miniatures, first quarter 19th century, featuring, respectively, a tropical riverside scene with a water-bearer and other figures, and a galants woodland scene with a wood gatherer and a dog, presented in later antique mahogany and giltwood shadowbox frames with double gilt card mats, overall h. 6", w. 6-3/4".
Estimate: 60 - 90
70 After Antoine-Louis Barye (French, 1795-1875) "The Arab Warrior", a large triple-patinated bronze equestrian figure after the ca. 1867 model, presented on an elliptical travertine-inlaid verde antico marble base with an engraved brass title plaque at the center of the facade, h. 30", w. 23", d. 12".
Estimate: 1500 - 2500
81 After Louis Moreau (French 1883-ca. 1967), a patinated bronze figure of a standing winged putto playing the cymbals, signed on the plinth "L. F. Moreau" and on a tablet placed in the foliage at the reverse "France", presented on a gently stepped circular base of polished black slate, h. 10-1/2", w. 4", d. 3-1/4".
Estimate: 150 - 300
97 After Jacques Louis David (French, 1748-1825) "Napoleon Crossing the Alps", oil on canvas, signed illegibly lower right, 20th century, 73" x 48". Presented in a Louis XV-style giltwood and gesso frame.
Estimate: 400 - 700
99 Franco-German School (First Quarter 20th Century) "A Courtship", painted needlepoint, unsigned, 46" x 27". Presented in an Arts and Crafts-style hardwood frame.
Estimate: 200 - 400
100 Manner of Francois Boucher (French, 1703-1770) "Putti Playing Musical Instruments", giclee print, signed "Mlatty" lower right, sight 9" x 12". Glazed, double-matted and presented in a Louis XV-style giltwood and plaster frame.
Estimate: 150 - 300
101 Patinated Bronze Figure of "Maiden with Cupids", in the Belle Epoque style, presented on a circular polished slate base, h. 23", dia. 8-1/2".
Estimate: 700 - 1000
102 French 18th-Century School, "Chateau de Saint-Germain" and "Palais de Fontainbleau", pair of 20th-century facsimile prints, after the Antique engravings, sight 12" x 16-1/2". Both glazed, matted and presented in giltwood and plaster frames.
Estimate: 75 - 125
103 After Francois Boucher (French, 1703-1770) "Le Depart du Courier" and "L'Arrivee du Courier", pair of hand-colored engravings, dedicated to Madame Marquise Montesquiou, engraved by Baumarlet, sight 25" x 19". Both glazed and presented in molded giltwood frames.
Estimate: 300 - 500
104 Italian School (Fourth Quarter 19th Century) "Foca A Probacide" and "Armadillo Comune", pair of hand-colored lithographs, legends lower margins, sight 8" x 11". Both glazed, matted and presented in giltwood and gesso frames.
Estimate: 75 - 125
105 After Claudio Gay (French, 1800-1873) "Various Fish Illustrations", suite of three chromolithographs, sight 10-3/8" x 13". All glazed, French-matted and presented in giltwood frames.
Estimate: 150 - 300
106 Jean Daulle (French, 1703-1763) "Monsieur De Nestier Ecuyer Ordinaire de la grande Ecurie du Roy", hand-colored engraving, 1753, sight 22" x 15-1/2". Glazed, matted and presented in a molded and parcel-gilt frame.
Estimate: 200 - 400
107 French School (19th Century) "Various Seed Fruit", suite of four chromolithographs, sight 7-5/8" x 5-3/4". All glazed, attractively French matted and presented in molded giltwood frames.
Estimate: 150 - 300
108 French School (18th Century) "Le Brilliant" and "L' Italien", pair of color engravings, sight 7-1/2" x 10". Both glazed, matted and presented in parcel-gilt and veneered frames.
Estimate: 75 - 125
109 After Francois Nicolas Martinet (French, 1725-1804) "Merle a Collier" and "Troupiale", pair of hand-colored engravings, plates 184 and 272, from Buffon's Histoire Naturelle des Oiseaux, published 1770-1786, sight 9-1/2" x 7-1/2". Glazed, handsomely matted and framed en suite.
Estimate: 75 - 125
110 Continental School (Fourth Quarter 19th Century) "Gypsy Holding a Tambourine", oil on canvas, indistinctly signed lower right "H. Pyfeld ?", 16" x 24". Handsomely framed.
Estimate: 200 - 400
207 British School (First Quarter 20th Century) "Sunlit Farm Scene with Two Figures", oil on canvas, signed lower right "Jane Peterson", 18" x 24". Presented in a handsome giltwood and gesso Beaux Arts frame.
Estimate: 200 - 400
208 British School (Third Quarter 19th Century) "Oval Portrait of a Farmer", oil on panel, unsigned, 12" x 9-1/2". Unframed.
Estimate: 75 - 125
209 George Crisp (British, Fourth Quarter 19th Century/First Quarter 20th Century) "Fruit Still Life", oil on canvas, signed and dated lower left "G. Crisp 1909", 8" x 10". Presented in a giltwood and gesso frame.
Estimate: 300 - 500
210 Edward Holroyd Pearce (British, 1901-1990) "Cattle Grazing by the River", oil on academy board, signed lower right, 12" x 18". Presented in a molded stained hardwood frame.
Estimate: 100 - 200
211 Edward Holroyd Pearce (British, 1901-1990) "Country Cottage by the Sea", oil on academy board, signed lower left, 12" x 8". Presented in a stained molded hardwood frame.
Estimate: 100 - 200
212 Attributed to Bernard Fleetwood Walker (English, 1892-1965) "The Dog and the Owl", a tall, oblong, black crayon heightened with china white decorative study, sight 14-3/4" x 12"; and a smaller graphite and china-white study for a singerie over-door panel in the 18th-century style, sight 6-3/4" x 12", both signed lower right "Walker". Matted and presented in narrow giltwood frames and glazed.
Estimate: 200 - 400
242 Wa Japanese Calligraphy Panel, of narrow horizontal form, signed with two red colophons and presented in a narrow black wooden molding frame and glazed, the lower rail with an engraved brass presentation plaque, h. 13", w. 44".
Estimate: 50 - 80
243 Wa Japanese Calligraphy Panel, of narrow horizontal form, signed with two red colophons and presented in a narrow black wooden molding frame and glazed, the basal rail with an engraved brass presentation plaque, h. 13", w. 51-1/2".
Estimate: 50 - 80
244 Pair of Framed Chinese Paintings, each of near abstract interpretation depicting impressions of stylized floral images in ink washes and colors, each horizontal panel signed with an artist's seal and presented in a rosewood frame, each panel h. 24", w. 83-3/4".
Estimate: 300 - 500
246 Pair of Framed Chinese Paintings, each of near abstract interpretation depicting impressions of stylized floral images in ink washes and colors, each horizontal panel signed with an artist's seal and presented in a rosewood frame, each panel h. 24", w. 83-3/4".
Estimate: 300 - 500
267 Italian School (Fourth Quarter 20th Century) "St. Michael Slaying the Dragon", a patinated bronze sculpture on a polished slate base, signed "Barye", h. 20", w. 6-1/4", d. 6-1/4".
Estimate: 700 - 1000
268 Follower of Guillaume Geefs (Belgian, 1805-1883), a patinated bronze figure of "Lucifer", presented on a polished slate base, h. 14", w. 6", d. 6".
Estimate: 600 - 900
275 Large Belle Epoque Patinated Bronze Figure Group, featuring a pair of scantily draped winged putti presenting a large vase in the form of a flower-bedecked heart, presented on an oblong slab base of polished Grand Antique marble having chamfered corners, h. 15-1/2", w. 22", d. 9-1/2".
Estimate: 200 - 400
356 After Augustin Moreau (French, 1822-1912), a bronze-patinated spelter figure of "Eros Armed", fourth quarter 19th century, signed at the proper right rear edge "Aug. Moreau", in script, presented on a stepped polished black slate base, h. 16".
Estimate: 100 - 200
385 Frederick Bromley (British, First Half 19th Century) "The Bury Hunt", color engraving, after C. Agar and J. Maiden, with dedication by Joseph Lanetti, sight 22" x 28-3/4". Glazed, attractively triple-matted and presented in a molded giltwood frame.
Estimate: 300 - 500
386 British School (19th Century) "Messrs Round & Green's Bank, Colchester", photo lithograph by James Akerman, "The Admiralty Near White Hall and The Treasury in St. James Park" and "A Perspective View of the Bank of England", both color engravings, the largest 15-3/4" x 11". All glazed, attractively matted and presented in mahogany-stained hardwood frames.
Estimate: 100 - 200
387 After Henry Shayer (British, 1825-1894) and Charles Waller Shayer (British, 1826-1914) "The Meet", offset chromolithograph, limited edition, first printing, printed exclusively for The Ritz-Carlton Hotel Company and so noted lower right margins, sight 15-5/8" x 25-3/8". Glazed, attractively French matted and presented in a stained hardwood frame.
Estimate: 75 - 125
388 Francesco Bartolozzi (Italian, 1727-1815) "View of the Inside of the Royal Exchange in London with Honorable William Pitt, First Lord Commissioner of the Treasury, Principal Secretary of State and Chancellor of the Exchequer", after J. Chapman and Lutherburgh, color engraving, sight 18" x 23". Glazed, attractively double-matted and presented in a reeded giltwood frame.
Estimate: 400 - 700
389 Albany E. Howarth (British, 1872-1936) "Interior of the York Minster Cathedral", black and white etching, signed in pencil lower right, sight 34" x 19-1/2". Glazed, matted and framed.
Estimate: 200 - 400
390 After Thomas Gainsborough (British, 1785-1786) "Sophia Charlotte, Lady Sheffield", oil on canvas, signed illegibly lower right, second quarter 20th century, 24" x 36". Presented in a Louis XVI-style giltwood and gesso frame.
Estimate: 150 - 300
391 After Hans Jacob Hansen, RSW (Active Scotland, 1853-1947) "Tambourine Dance", print, entitled "Copyright. Published by the British Art Company, Ltd., 93 New Bond St., London, W. I", sight 9-3/4" x 7-3/4". Handsomely matted and framed.
Estimate: 40 - 70
392 Truda Panet (American, 20th Century) "Geordie", pastel on paper, signed and dated lower left "T. Panet, 1969", titled lower right, sight 14" x 12". Glazed, French-matted and presented in a molded giltwood frame.
Estimate: 100 - 200
      
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